Edwardian and Georgian Canadian Poets
At the Shrine and Other Poems

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AT THE SHRINE

AND OTHER POEMS

By

GEORGE HERBERT CLARKE

STEWART & KIDD COMPANY

PUBLISHERS . . . CINCINNATI

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[handwritten: PS8505

L42A7

1914

CLARKE, G.H.]

[stamp: 70363]

COPYRIGHT, 1914,

GEORGE HERBERT CLARKE

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NOTE

     The poems contained in this volume were written, for the most part, during the past ten years.

     Thanks are due to the editors of the following magazines for their kindness in permitting the republication of poems included here that appeared originally in their columns: The English Review, The Independent, The Forum, The Bookman, The Outlook, Lippincott’s Magazine, The New England Magazine, and The Canadian Magazine.

G.H.C.

Knoxville, Tennessee,

     May, 1914. [unnumbered page]

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CONTENTS

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I.

To a Friend,

13

Bounty,

14

“A Life Beyond?”

15

Deus Inenarrabilis,

16

The Last Desire,

17

The Dream of Dreams,

18

The Mother,

19

A Priest of Humanity,

20

The Chess-Player,

21

Childwist,

22

Das Ewig-Weibliche,

23

Faces,

24

The Heretic,

25

The Chief Witness,

26

The Silent Sisters of the Poor,

27

Petri Interrogatio,

28

“Wanga Nzambi, Wanga?”

29

Day’s End in Durham,

31

A Voice to the Dying,

35

On a Friend’s Death,

36

At the Shrine,

38

“Yonder He Lies,”

40

A Winter Twilight,

42

Quo Abeo?

44

Antimony,

46

On My Dog’s Death,

47

The American Black,

50

La Pucelle de Verchères,

52

[page 5]

II.

Serenade,

61

The Perfect Comrade,

62

Renunciation,

63

The Master Wooer,

64

To an Unnamed Lady,

65

The Two Flowers,

66

The Return,

67

Sea-Secrets,

68

Tryst,

69

To Laure,

 70

Delia and I,

71

The Wine of Love,

 72

Second Thoughts,

73

“Until Death Us Do Part,”

75

Love’s Similitudes,

76

To a Young Girl,

77

Waiting,

79

At Parting,

81

The Novice,

 83

A Girl’s Complaint to Her Heart,

85

A Sonnet of Spousal,

86

Amor Sempiternus,

87

Paura Non È Nella Carità,

88

The Firefly,

89

The Transfigurer,

90

“The Moon, and My Love, and I,”

91

Her Heart Breaks Silence,

93

“She is not Dead,”

95

III.

“O Earth, What Changes!”

99

The Earthquake,

 100

An Old Master,

101

The Touch,

102

A Lake Sunrise,

103

Daybreak,

104

[page 6]

Les Camarades En Voyage,

105

To Night,

106

A Summer Night,

107

Ariel’s Revenge,

108

The Aeronaut,

109

A Settler’s Grave,

110

The Eyes of the East,

111

A Forest Graveyard,

112

Song of the Evening Cloud

113

“Brown Fellow”

114

“The Rain It Raineth,”

115

Outward Bound,

116

The Last Lullaby,

117

The God of the Gulls,

118

A Night on the St. Lawrence,

120

God’s Eyes,

122

To a Butterfly,

124

Lyrics of the Rail,

          The Scorned Town

          The Canyon

          The Sleeping-Car

126

Tempest Tost,

128

IV.

Hamlet,

133

A Grace Before Shakespeare,

134

To Shakespeare’s Mother,

135

To a Class in Shakespeare,

136

To Harriet Shelley,

137

To John Keats,

138

To George Borrow,

139

Pippa and Her Flowers,

140

“Storm Still,”

141

To the Friendliest of Poets,

142

To My Lord Verulam,

143

To Master Henry Fielding,

144

To Miss Jane Austen,

145

[page 7]

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I.

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AT

THE

SHRINE

AND OTHER POEMS

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TO A FRIEND

THROUGH drenching deeps a ship is sailing,

     A battered, broken journeyer;

  And yet she keeps her course unfailing,—

     A harbour waits for her.

  Hope of that port her way doth order,

     How far soever on the sea;

  Ah, so thy heart, beyond the Border,

     Beckons and governs me! [page 13]

BOUNTY

A CHILD and a rose,

     A rose and a child;

  In the heart of the one repose,

     And joy in the heart of the other!

  A child and a friend,

     And the rose changes hands;

  In the heart of the man godsend:

     Child, rose and white soul of his mother! [page 14]

“A LIFE BEYOND?”

A LIFE beyond? Not mine the mournful cry!

  O Hidden One, what holier mystery?—

  Every morning we are born: every night we die. [page 15]

DEUS INENARRABILIS

DID ever author pen a book

  That all his spirit’s fibre took?—

  The Word of God was never writ

  That men might make a Book of it. [page 16]

THE LAST DESIRE

FROM dreamless nights to wake to mocking morrows,

     To make toward the surface from the Deep,

  For silence to put on old sins and sorrows,—

     Unknown One, nay! let me forever sleep!

  Secret, sufficient, all-subduing Sleep,—

     In thine embrace eternal to be lying,

  The while thine ancient eyes their vigil keep,—

     How blest a thing to die, if this be dying! [page 17]

THE DREAM OF DREAMS

     “That the life of man is but a dream, many a man has surmised heretofore; and I, too, am everywhere pursued by this feeling.”—Goethe: The Sorrows of Werther.

HOWEVER real it seem,

     Sleeping we or waking,

     Giving we or taking,

     True, or all-forsaking,—

  Life is a dream, a dream!

  Shineth there a gleam

     That gives it sudden sweetness,

     Sadly we feel its fleetness,

     Fading to incompleteness;—

  Life is a dream, a dream!

  Ah! when we would redeem

     April from drear December,

     Fresh fire from waning ember,

     Why must we then remember

  Life is a dream, a dream? [page 18]

THE MOTHER

     (She speaks, sitting up in bed:)

HARK, hark!

     Did you not hear a sound from out the Dark—

     A little, broken, uncontented cry?

     (Hush, darling, I am nigh!)

     The quick, bewildered walking mark you not,

        The hands beseeching,

     The white face stained with tears, the curls that clot

        The tiny brow, the mother-want past speeching?

     Oh, can you see my baby frightened there,

     And can you bear

     To keep me from her?   (Sweetheart, wait for mother!)

     How many she find the way, uncomforted?

     And how shall comfort come from any other

     Save me alone?   The people there are dead! [page 19]

A PRIEST OF HUMANITY

OF SORROWS bitter-strange is wove his fate:

     A mother weeping for her infant dead;

     A father crying curses on the head

  Of his wild son thrust forth degenerate;

  The love that flamed, and faded to dull hate,

     Of a wed pair that fain would be unwed;

     A mind destroyed by the dark things it said;—

  With these old woes his life is penetrate.

  Yet for each alien anguish does he mourn,—

     A sad compassion in his deepening eyes,—

        Counsels, consoles, reveals “the better part;”

  How great soever be the burden borne,

     (Ah! this the secret of his ministries)

        More bitter is the grief that eats his heart! [page 20]

THE CHESS-PLAYER

I PLAYED at chess with Lasker, but to lose,

     Beaten from the beginning; yet the game

     Wavered awhile in seeming, and no shame

  Possessed me. It was mine to check and choose,

  To marshal, menace, try this sudden ruse

     And that side-ambuscade, with hope aflame

     Hailéd to be as he that overcame,

  The laurel once at least not to refuse.

  Vainly! He sat before me patient, still,

     His dark eye searching out each secrete plot,

  And by his brooding, stern-compelling will

     The game was guided, though I knew it not;—

  Yet find I strength in failure as in strife:

  As I played Lasker, so I challenge Life! [page 21]

CHILDWIST

RAPT dreamer, what revealments dost thou see?

     We that are blinded with the vagrant dust

     Of our long way, and stifled by each gust

  That stills the spirit when it moves too free—

  So tired we are we turn ourselves to thee

     Whose eyes are wide with wonder, and whose trust

     Feels Something, Somewhere, that is kind and just,

  Ancient and vast in its Eternity.

  Ah, vain! Youth’s vision only youth may learn;

     Thou, too, dear maiden, must arise and seem

        A destined path to tread, the while thine eyes

  Gaze troubled, and the hardlier discern

     The glory dimmed and gone;—O then thy dream

        Still silent cherish till the daylight comes! [page 22]

DAS EWIG-WEIBLICHE

LAST night I saw thee gliding to my bed

     So gently, mother, to caress my brow

     With all the old compassion,—“Darling, now

  Is nothing wrong. Sleep, and be comforted!”

  And I laid hold upon thine hand, and pled

     Thou wouldst not leave me, till—I know not how—

     Buried in peace I slept, the while that thou

  Wert there beside me, not among the dead.

  I woke and found thee vanished, yet I feel

     A sense that will not vanish of a hand

  Still clasping mine, and on my lips the seal

     Of a high matter, hard to understand,—

  A touch, a kiss, a whisper’d word to me:

  “Mother, and wife, and sister,—one in three!” [page 23]

FACES

THERE are two pictures hanging on my wall:

     One is the Woman of Dagnan-Bouveret—

     Mary Madonna, with sad, dark eyes that say

  Hidden and holy things, her peasant shawl

  Folding her babe and breast; the other, call

     “My Mother in Old Age,” gracious and gray,—

     Hers is a lonely sleeping, long leagues away,

  Nor can she her son’s prayers passional.

  But sometimes the two faces dim and blur,

     The darks and deeps are mingled, the lights turn

        Trembling toward one another, and I see

  Then, as with subtler, the eyes of her,

     My mother, from the Virgin’s aureole yearn,

        And Mary Maiden gray the mother of me! [page 24]

THE HERETIC

HE GIVES to death world-prejudice. World-woe

     Therefore upon its witless gods is crying

     Never to spare, nor suffer more the lying

  Counsels, contentions of this human foe:

  It is not right that he should teach them so,

     That worship of the runes is reason dying,

     That for the spirit there is satisfying

  Not in the formal Yea, but faithful No.

  Aroused, those apathetic gods would hearken

     What time they shook the stupor of the years,

  And, making human lovelight droop and darken,

     Crush out the rebel in a night of fears—

  Not now, not now! Nay—they are gone abroad

  To seek a truce of heaven with heaven’s God. [page 25]

THE CHIEF WITNESS

HER that hath hid a babe beneath her breast

     Through the long, secret days and deepening nights,

     Kindling with happy hopes and dear delights,

  Or brooding silent with a dim unrest,—

  Ask her, the Mother, what is for women best,—

     The chase of phantom freedom, mechanic “rights,”

     Sharing with fevered face the cruder fights,

  Or her high part in the Eternal Quest?

  She only of her sex can say, for she

     Alone is Woman whose word is of a son:

        “In the great Heart-of-Things I feel a plan

  Encompassing the mystery of me:

     I mother all mankind in mothering one,—

        Through me the race aspires from man to Man!” [page 26]

THE SILENT SISTERS OF THE POOR

MEEKLY, with folded hands and patient brows,

     Come two from out the ivy-clustered door;

  A cross is on the altar of their House,—

  It hushed their voices while it heard their vows;

     Ay me,—the Silent Sisters of the Poor!

  The cross upon the altar is of gold,

     And coldly gleams in the chill chapel air;—

  Is it for this their bosoms are so cold,

  Nor beat as they were wont to beat of old?—

     Or is a wintry cross enfixéd there.

  The sun is dimly drooping down the west;

     The ancient House against its glory stands

  Sombre and gaunt and dark; and darkly drest,

  Two figures seem to fade within its breast,

     Meekly, with patient brows and folded hands. [page 27]

PETRI INTERROGATIO

(After Dante Gabriel Rossetti)

“DILIGIS Me, Simon Joannis?”

          ‘Etiam, Domine,”

  Petrus ait, “Tu scis quia

          Amo Te.”

     “Pasce agnos,

          Pasce,” dicit,

     “Agnos Meos!”

                           

     “Diligis Me, Simon Joannis?

          Diligis Me?”

     “Immo vero; Tu sci quia

          Amo Te.”

     “Pasce agnos,

          Pasce,” dicit,

     “Agnos Meos!”

                   

     “Amas Me, Simon Joannis?

          Amas Me?”

     Tristi sane corde Petrus:

          “O Domine,

     Omnia Tu nosti; certe

          Amo Te.”

     “Pasce oves,

          Pasce,” dicit,

     “Pecudes!” [page 28]

“WANGA NZAMBI, WANGA?”

     (It is the custom of the Bakongo natives to end a speech by saying “Wanga,” a word signifying: “Do you understand?”

     A little African boy, brought up in the Mission, prayed that he might always have plenty to eat, that he might never have any work to do, that he might have fine clothes to wear, and that when he grew up he might attain the social standing of the white man. Then said he at the end of his heartspoken prayer: “Wanga Nzambi, Wanga?” meaning: “Do you understand, God.—Do you understand?”—Herbert Ward: A Voice from the Congo.)

O WARM Upleaping, swift Flame-Flowing,

     That blesseth and banneth the eager hand,

  Driving the Dark, yet into Darkness going,—

     Lord Fire, dost understand?

  O radiant Lighter of the Life of Day,

     Regally coursing it along the sky,—

  Sun-God, to Thee we lift our hearts and pray:

     O hear us, or we die!

  Great Father Zeus, mighty among the mighty,

     Stern of Thy thought, severs of Thy command,—

  Tyrant of Cronos, Hera, Aphrodite,—

     Hearken, and understand!

  Hakeem! that vanished in the sunset glory,

     When to Thy faithful shalt Thou reappear?

  Long have we brooded Thy celestial story,

     Waited Thee many a year. [page 29]

  Mary, immaculate, humanity’s one Mother,—

     Thou in the Presence that dost intercede,—

  Minister Thou (nor have we any other)

     To our so bitter need!

  Centre of Cosmos, what Thou art who knoweth?

     Whether the worlds and we are nobly planned,

  Or whether ebbing tide that floweth

  Eterne shall change, and Being never groweth,—

     O who may understand? [page 30]

DAY’S END IN DURHAM

IN the Abbey at Durham,

  With its great stony Silence,

  Builded of silences,

  I bowed me and knelt.

   

  After a long time

  I prayed to the Silence

  To enter my spirit,

  And give me to know.

  And the dim-sweeping arches

  And solemn spaces,

  Deepening, darkening,

  Regarded the mortal,

  The humble human,

  Kneeling there, praying.

  At last spake the Silence,

  Silently, after its wont:

  “We columns and cloisters

  Are very ancient;

  The tale of our years

  Is nearing a thousand;

  Once it is resounded—

  Our vast-flung vaulting—

  With glory and passion [page 31]

  To the chants of our masters,

  Your father long vanished;

  Now we are dreaming

  Of memories only:

  Alike they and we

  Are sinking to ruin.

  Slowly to death,

  Reluctant or willing,

  Must all things yield them.”

  And the darkness deepened.

  “Slowly to death,”

  Were the words re-echoed,

  “Must all things yield them.”

  And while I knelt there,

  Unfolded a vision:

  Before me was tending

  The earth in her orbit,—

  An old pulsing planet,

  Blind beating the void;—

  And out of her bosom,

  With castles and palaces,

  Prisons and temples,

  Crumbling upon it,

  There came the old sorrow:

  “Slowly to death

  Must all thing yield them.” [page 32]

  “Customs and continents,

  The secret-souled ocean,

  Wars and war’s rumours,

  Men’s poetry and music,

  Their quarrelling systems,

  Their sure revelations

  Of the Made and the Maker,

  The counters they trade in,

  Their greeds and red rivalries,

  Brave bursts of brotherhood,

  Kindliest ministries,

  Wooing and marryings,

  Their ventures victorious,

  Their gloomy forebodings,—

  All shall decay and pass

  Down to oblivion,

  With me, their old Mother,

  The Ruin they dwell on.

 

  “All they are, all they have,

  All they think or imagine,

  Can little avail them

  In the blind end of being;—

  They are midges that hover

  By my withering bosom,

  And I but a midge

  On the breast of Eternity!

  “On the breast of Eternity!”

  She spake, and was silent,

  Save for the sudden [page 33]

  Tremor that shook her:

  “Ah! what is Eternity?

  Is It, too, a Ruin?”

  In the Abbey at Durham,

  With its great stony Silence,

  Builded of silences,

  I wondered, and woke. [page 34]

A VOICE TO THE DYING

UNKNOWN and uncounted the years thou hadst lain in my bosom

            Ere thou wast born,—

  Thou, and the wife thou hast loved, the dog thou hast fondled,

  The trees and the grasses by which thou hast lived;

  A dim, ageless travail brought ye all forth,

  And quiet hath been your mothering.

            A quiet mothering,—

  Yet have mine eyes not ceased from beholding thee,

  Thee and all thy ways,—thine eager pride, and thy powers

  That failed thee, thy yeas and nays and silences,

  Thy reckoned gains, thy mad revolts, thy crowding sorrows,

  Confessions sad;—all these thy mother’s eyes have seen.

            Come home,—

  Thou who hast never been far from me, for all thy thinking,

  Thy little human tragedy—come home, dear child!

  Beneath my breast come slumber once again,

  Peradventure again to be born, again to die,

  But never to be parted from her that bids thee come! [page 35]

ON A FRIEND’S DEATH

WE thought that Death was hard and harsh, a Doomer of dread power;—

  Ah no! his wings wave gently as the petals of a flower.

  What hath he done? Why have we watched and wept?

  He touched our friend’s tired eyelids, and he slept.

  What hath he taken? Not the kindly smile,

  The sterling worth, the wisdom without guile.

 

  How hath he wronged us? Still we have our friend;

  For love and trust there cannot be an end.

  Who mourneth overmuch, and murmureth?

  The Soul that made shall care for him in death.

  The mortal in him slept, th’immortal changed;  

  Over the hills of heaven he hath ranged,—

  A boundless country, and a beautiful;

     And Death its usher is and sentinel,

     Who seals the eyes of them he loveth well

     (And all he loveth well!)

     Till they have journeyed whither they may not tell,—

  A boundless country and a beautiful! [page 36]

  Ah, what their secret? Why does none return?

  Their Mentor Death hath won them, long they learn.

  Gladly they wander with him far and high;—

  Death’s Love’s disguise to all of them that die.

We thought that Death was hard and harsh, a Doomer of dread power;—

Ah no! his wings wave gently as the petals of a flower. [page 37]

AT THE SHRINE

MARY, humanity’s Woman, immaculate Mother,

     Is it Thou, Thou alone, that art pure, and never another?

For the babe at my breast many deaths did my body endure:

The girl died, the virgin,—yea, all that the Past counted pure.

Then the deepest last dying, the shudder so woeful and wild,

The smothering darkness… the pitiful cry of the child!

O Mary, the bliss that came after,—the rapture of bliss,—

How I would laugh him to laughter, and how we would kiss!

How I would clasp him in terror when trouble would linger and stay!

Trouble? for any but him, my masterful man-child always.

How he would lie in my bosom, and how I would breathe his name,

How I would watch him and love him and dream of his lordly far fame! [page 38]

’T was a wraith, a mistake,—’t was not I that lived there in the Past,

A pale, futile girl,—now a woman, a woman at last!

For how could she know, that pale one, so saintly and so clean,

That Madonna dwells eternal in the breast of Magdalene?

Mary, humanity’s Woman, immaculate Mother,

Is it Thou, Thou alone, that art pure, and never another? [page 39]

YONDER HE LIES

          YONDER he lies,—

     My best of friends,

          His faithful eyes

Filled with a tragic wondering surmise.

          The days flash by—

     The fields, the woods—

          When he and I

Looked out on life and had no thought to die.

          We did not need

     Whistle or whine:

          It seemed indeed

What nature wrote upon us each could read.

          So word or bark

     Broke seldom out,

          Save when at dark

Each for his comrade’s signal stood ahark.

          He does not move,

     But looks on me

          As he would prove

The virtue of our old sufficient love. [page 40]

          Dear God, to sit

     And watch his eyes!

          Whose law is it,—

Whose justice issues this tremendous writ?

          My dog, my friend,

     Look up once more!—

          Is this the end?   .   .   .

As thou hast loved me, Love thy soul defend! [page 41]

A WINTER TWILIGHT

THE year has reached December days,

     The fire is creeping into flame;

     Gently I call my comrade’s name,

  And silent both we sit at gaze.

  His head is prest against my knee,

     My hand upon his brow is set,—

     The flames spring upward, and we let

  Our fancies play with all they see.

  I see the face of one who died

     Ere the low whisper she had heard

     That sought the moment and the word

  To woo the maiden for my bride.

  He sees a strange, enchanted land

     That wanes and waxes with a flame;

     He does not sense himself the same,

  And dimly deems I understand.

  My listless form yields slowly down;

     He also droops with half-closed eyes,

     Yet with a mute regard that tries

  To feel his master’s smile or frown. [page 42]

  On her dear face a pensive smile,—

     The fire sinks low, and I repose;

     The mystery of Wyrd who knows?

  Are these the real hours we beguile?

  I cannot answer, yet am blest;

     And from the hearth he turns his eyes

     Till they meet mine in trustful wise,

  And so he dreams himself to rest. [page 43]

QUO ABEO?

THE flood flows down, the sails are spreading,

     The destined voyage must begin;—

  A quiet farewell, and then, undreading,

               I enter in.

  But far at sea—“Sir Captain, shelter

     Awaits us whither? What harbour saves?”—

  Nor sound nor motion but the welter

               Of heavy waves.

  “Yet tell me—there shall be an ending?

     Some port with hope of us is lit?

  Within some haven we find friending?

               Ah! teach me it!

  “Captain, … these seas… are not uncharted?

     We voyage not in blind amaze,

  Growing forever fainter-hearted,

               Unending days?”

  No word—until I fall entreating:

     “If here we wander evermore,

  If there shall be a meeting

               Again, ashore— [page 44]

  “Oh, why the vessel, why the sailing?—

     Sink we to rest beneath the sea,

  Unsought, unlonging, unavailing,

               No more to be!”

  Silence—that stings me with the daring

     To spring and seize that Shape unknown:

  O God—‘t is I with whom I’m faring

               Alone, alone! [page 45]

ANTIMONY

               THERE is no truth!

If here it ever dwelt, now it is dead;

Cant and shrewd Custom flourish in its stead;—

               There is no truth!

Her hearth is holy-pure, and speaketh very sooth.

               There is no health!

For all men with a sore disease are smit,

Past help or hope, and all men die of it;

               There is no health!

Her broken body shineth with unimagined wealth.

               There is no light,—

But doubt, and secret dread, and shadow-dreams;

Woeful we wander, following phantom gleams;—

               There is no light!

And yet a homelit haven unfoldeth to her sight.

               There is no faith!

Our sages disavow the ancient tales,

Holding that when the breath fails, being fails;

               There is no faith!

Let them persuade themselves! It is not so she saith.

               There is no love,—

But only vanity, or passion, or pretence,

Self-interest, instinctive social sense;—

               There is no love!

This evil thing ye publish her woman-eyes disprove. [page 46]

ON MY DOG’S DEATH

MY FRIEND has gone

  Through the door of darkness;

  Wearily waiting,

  He fainted and fell

  Upon its threshold,

  And ghostly fingers

  Out of the silence

  Laid hold upon him

  And drew him through.

  He did not know

  The subtle secrets

  Of Death the wary;

  Deeply he loved me,

  My little comrade,—

  His eyes were shining

  With lights of worship,

  Of modest wonder,

  When I caressed him.

  Even at the last,

  Before the darkness,

  He never doubted:

  He thought his lord

  Was tired or troubled,

  But would surely save him.

  Thy lord? Ah, comrade,

  Futile thy faith! [page 47]

  And futile my will

  To heal and keep thee!

  We dwelt together

  As midges merely,

  Afloat in the fathomless

  Dust of the ages.

  Drifted we near

  Unto each other,

  Enjoying the sunlight

  Playing upon us;

  And then, on a sudden,

  Came a child glooming,

  The separation.

  And yet   .   .   .   I feel   .   .   .

  There are strange things about love:

  Love is so loving,

  So patient, enduring,

  Through the doom of defeat

  And utter sorrow!

  There are strange things about love   .   .   .

  I feel the strangeness. [page 48]

  Love may be somehow

  More great than the midges,

  Greater than ages,

  Than loss and heartbreak

  And death and distance,

  Greater perhaps

  Than It that orders

  The swing of the planets,

  Than all things else

  That are or shall be.

  The love I bear thee,

  My little dead comrade,

  Forever is trying

  To tell me something.

  I am learning to listen. [page 49]

THE AMERICAN BLACK

(A Study in Race-Consciousness.)

NIGHT! Night!

  And of the dawn no promise. Wrong is right,

                    And right is wrong!

                    Long, long ago, ah long,

  I roamed the forests vast and awful, bending

  Around me with their leafy aisles unending,

  And smelt their dense sweet savours many a league,

     And fought or loved their Shadows silent-striding

  Without a fear; or, when a hard fatigue

     Befell, would sink to utter sleep, confiding

  In the fierce gods o’ the Jungle I confest;

  Ah, that delicious, peaceful, dreamless rest!

  No hubbub of the kraal-folk now I hear,

     No spear-songs, no war-music wild and thrilling;

  Not now I shoot the arrow, hurl the spear,

     And rush with warrior-rage unto the killing;—

                    The Old is dead,

  Or, if it live perchance,

  It dwells in the so distant battle-dance

  Unfindable again, and poisoned lance

  With foe’s blood wet and red,

  That into Past and Place its ghost has vanishéd. [page 50]

                    Instead,—

                    Instead,—

  White faces, houses, streets; white ways, white works;

     Faces that frown and yet are not unkind,

  Faces that smile where yet no kindness lurks,

  (The gods were angry or were gracious, one!)

     Houses that wear a shutter and a blind,

  Streets all alike, and work that’s never done—

  Work endless, pitiless, that craves and craves

  Slaves for its worshippers, themselves its slaves:

  Work without aim or meaning, save to breed

  Money, the mother of more work, and greed,

     Its father; work whose drudging devotees

  Bear heavy loads with harness on their back,

  The white men’s golden, and we black men’s black,

     And none has joy or ease:
 The poor seek riches, and the rich seek more,

  And both must have our service, hard, and sore;—

  And so we serve and share not, nor rebel,

  (For one must suffer when he is in hell)

  And wear the yoke with silent, sullen shame,

  And dream of Freedom that is not a name. [page 51]

LA PUCELLE DE VERCHÈRES

NAME of Heaven! “No woman,” you say, “may be brave with the courage of man;

She may suffer with patience, endure; but let him encounter who can!”

Ah, but my friend, it is idle, for how should you know what you say?

The Maid, you will have it, is liker Our Lady,—we kneel to and pray,—

La Sainte Vierge,—liker Her spirit, than they that must wandering go

Down the way of the woman in silence, whether for welfare or woe…

I know not;—Our Lady was silent; not seldom the Maid was withdrawn,

Ahark for the voices that whispered through the night and the dawn.

But to me was it shown,—I have seen and ‘t is mine to declare

What the soul of a woman may do in the hour of darkest despair.

Just fourteen years had she, no saint, but of Canada’s breast,—

A girl in her fibre-of-fear, yet a general true to the test.

No saint? Mais non! The good God knoweth no angel so fair

As she that dwells pure in His heaven now,—Madeleine de Verchères! [page 52]

Verchères was unguarded, look you, the Seignior on duty away,

And Madame at Montreal, and the people afield for the day,—

The twenty-second October, Sixteen Hundred, Ninety-Two,—

And Madeleine stayed at the landing-place, expecting my canoe;

For I brought in supplies for the fort each day, or shine or rain,

Wresting its good form the forest-soil;—one needed Pierre Fontaine;

And I knew the need, and met it, and was making ready that morn,

When suddenly in my bosom the sense of rear was born;—

Ah God! that cry of anguish, ever it echoes to me,

As I saw the Iroquois fiends of hell beginning their butchery.

They had stolen upon the settlers, and were scalping them in the fields,

Fifty savages red with blood. “’T is now that Verchères yields,”

I thought; “It is time to die,” but I ran for my canoe,

And into it urged my dear ones, and waited what to do;

Ma foi! it was hard to know, but my heart for joy gave a leap

When I saw little Madeleine running,—not her had they caught asleep;

She was in the fort, and the gate was shut, and the breaches all repaired [page 53]

Ere the enemy could enter, though he came as near as he dared,

Leaping, and yelling his frightful yells, and waving in the sun

The dripping spoil of his human hunt;—Sacred Name,—that it should be done!

There were only three men in the fort, and none of them could fight,

For one was weary for the grave, and the rest no men aright;

But Laviolette, who gave the alarm and entered with her gate,—

Let him be named as a brave man there who bravely faced his fate;—

He it was told me after of the craven soldier pair

That Madeleine found in hiding and drove to the open air;

He it was told me her saying to her brothers young but true:

“We must fight to the death for God and country. I count on you.

Remember, our father has taught you that gentlemen are born

To shed their blood for God and the king. Let our name sustain no scorn!”

For me and mine, the Indians had seen us at last, and I knew

That the one hope left was to reach the fort, and I suddenly turned the canoe [page 54]

To the landing-place, and tore the water, paddling for life or death,

When all at once I saw a sight that made me catch my breath;—

’T was Madeleine coming from the fort alone, to meet and bless,

And the Iroquois stood stupid,—stark images, no less!

For they feared it meant a sortie, and they stood and watched us feign,

And fired no shot, till they saw the gate swing open and close again.

And the night fell on us, and a storm swept down,—wind and snow and hail,—

And the spirits of all were darkened, and some began to quail;

But the maid she showed no sign of dread, and a cheerful tone she chose:

“Until this moment the hand of God has saved us from our foes.

Now let us have courage and ward them off, whate’er may hap to-night.

Gladly will I command the fort, and the six who can shall fight.”

The soldiers and I were to guard the blockhouse, with orders clear,

And she placed the boys on the bastions,—good lads that had lost their fear,—

And the agéd man and the child herself made up the sentinel four, [page 55]

And through the long night the cry “All’s well!” rang out ’mid the storm’s downpour.

And the enemy made no move, for he thought that our few were a host,

But he bode his time, and our little band were beleaguered a week almost;

And if Madeleine ate or slept I know not, but this I know,—

When I looked toward the bastion she was there; in the blockhouse, there also;

Smiling, rallying, promising help, shaming and cheering us all,

With a gliding grace as sweet to see as though she were a leading a ball.

My friend, had Daniel beheld her, our maid in his wild beast’s den,

Rescue might come what time it would, how should it matter when?

In a girl’s young soul I had seen for a week the soul of the human race,

And I longed to bear more and do more before I should leave that place.

But the moment came—too soon it came,—our maid was adoze, with her gun

Lying across here tired-out arms, for the day was spent and done,

When some of us heard a sound below, down by the riverside,

And instantly for the bastion “Qui vive?” a sentinel cried; [page 56]

And little Madeleine started up, and La Monnerie stood without,—

With his forty fighting men come up to put the foe to rout.

He praised her wit and her courage; right gallantly did he bow;

But she smiled and said: “Lieutenant, to you we surrender now.”

And we crowded round her to kiss the hand and have the heavenly smile,

But she would not listen to our thanksgivings, and went apart awhile.

Would she had grown a woman in years, for woman she was in power!

But to test our own was Madeleine’s soul lent us from Heaven an hour. [page 57]

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II.

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SERENADE

THE leaves in the shadow

     And starlight are glistening;

  Ahark is the darkness!—

     Love, art thou listening?

  Love, art thou listening?   .   .   .

     The night shall adore thee,

  And, when we are parted,

     The silence sing for me. [page 61]

THE PERFECT COMRADE

THE perfect comrade says nothing, nothing,—

  But her calm thoughts and pure

  Make her brow as a cloudless sky,

  With twin stars, shining serenely. [page 62]

RENUNCIATION

I HAVE lost you, my friend,—

  But my heart was your advocate, is to the end:

  I, a woman, love utterly you, and if you have left me,

  Not yours the blame of it, mine be the shame of it, or indeed you’ve bereft me! [page 63]

THE MASTER-WOOER

               I SAW thy hear to-day:

A rock against whose breast the ceaseless spray

Dashed itself into madness, woe and death,

Like one of that all in vain beleaguereth.

               Ah, but the ceaselessness!

The sea that dieth liveth none the less:

After a thousand years must come a day

The rock shall yield herself to him for aye. [page 64]

TO AN UNNAMED LADY

WHEN there are others by, in vain I dream

     To dwell within the orbit of thine eyes,—

  Or should there dart a sudden starry gleam,

     It hardly lives and lightens ere it dies.

  But, sweetheart, how they “swim into my ken”

     When we’re alone,—how ruth and trust and pride

  Smile in their shining depths! Amen, Amen,—

     For here th’ eternal mysteries abide! [page 65]

THE TWO FLOWERS

HELEN wore it in her hair,

     That little fragile flower,

     Wore it for an hour,—

  Then she laughed and gave it me to wear;—

  No little flower so holy anywhere!

  Fate looked and found my Helen fair,—

     That little fragile flower,—

     Spared her but an hour;

  When she died the dayspring vanished there;—

  No little flower so holy anywhere! [page 66]

THE RETURN

HELEN softly stole to me just now,

  Smiled and chided while she smoothed my brow:

     “Why so still and serious?

     Please don’t be mysterious!

  Laughed and love and let us both be gay!

  The shadow stirred and vanished; life was lit,

  Quick ecstasy irradiating it;—

     Ah, how I sprang to clasp her hand!

     Hardly yet I understand;—

  Helen died a year ago to-day. [page 67]

SEA-SECRETS

LITTLE one, woman-one, whither are you sailing?

     From far at sea your slender craft is heading for the haven,—

  But harbour’s here, and harbour’s there, and all unavailing

  Are the eyes that strain to see your course, the lips to give you hailing;—

  Homing one, flash it me,—whether for woe or bliss:

  Is my heart your haven, or his?

  Little one, woman-one, I fear me he is dreaming,—

     Young Cupid at the wheel there, so carelessly he turns it;

  Whisper to him, tell him you are tired of seeming,

  That you in port would be, beyond the fitful waters’ gleaming;—

  Come, then, a sea-secret! Silently breathe me this:

  Is my heart your haven, or his? [page 68]

TRYST

I THOUGHT to have made her my bride,

               And now she is dead;

  Death holds her close by his side

               In his earth-dark bed.

  Not a murmur, a motion, a breath!—

               In vain does he woo:

  Being dead, yet she yields not to Death;—

               Endlessly true!

  She knows that I need her now

               All else above:

  She will come to me; when and how

               We leave to Love. [page 69]

TO LAURE

LAURE, when I look on thee

     My heart’s the heart of youth;

  Thy sweet simplicity

     Endowers me with truth:

  Then never must we part,—

  Thyself my spirit art.

  When thy soft eyes on me

     With maidenwist are turned,

  In their pure depths I see

     Where love may best be learned,—

  From lesser love, sweetheart,

  Thyself my saviour art.

  Laure, till I looked on thee

     The man I was was no man,

  High faith and honour free

     Won me when I won woman:

  Thou dost redeem my heart,

  And still its sovran art. [page 70]

DELIA AND I

DELIA and I are driving alone,—

               Driving, driving;

  Sleepily jogs the reliable roan,

  And over the meadows the blossoms are blown,

  And the song of the thrush finds an echoing tone—

               Shriving,

  Shriving my soul to be clear as her own.

  Delia and I are moving content,—

               Moving, moving;

  And few words are spoken, but many are meant;

  She smiles at the sunshine, on her I’m intent,

  And still through the wood steals the jessamine scent,

               Proving,

  Proving our hearts and laughing at Lent.

  Delia and I are turning toward home,—

               Turning, turning;

  The stars are alight in the infinite dome,—

  The field-hues have faded to glimmering chrome,

  The moon-ship is launched from horizons to loam;—

               Learning,

  Learning the roads that lead lovers to Rome! [page 71]

THE WINE OF LOVE

THE wine of love,—a wingéd wine,

  Crushed from the warm, incarnadine,

  Deep breathless sunset, and compounded

  With star-songs in the midnight sounded;

  Vivid as the summer lighting,

  Still glowing, paling, fading, bright’ning;

  O wonder-wine, thy cup I cover,

  Nor linger long my lips above it!

  What matter though the draught destroy

  The sober mind and dull employ?

  What matter all the ancient tasks?
 To live, to live, my spirit asks:

  Content no more with placid quiet,

  But, kindling with the race and riot

  Of the swift-enchanting potion,

  To enter earth’s supreme emotion;

  Its pains I dare, its farthest fortunes

  I’ll compass, as a king impórtunes!

  The wine of love—a warrior-wine—

  I quaff, and all the world is mine. [page 72]

SECOND THOUGHTS

WAS it I who dreamed

     In the doubtful Dark

  That distant gleamed

     A kindling spark?

  Was it I who sought it

     And found its flame,

  And seized and brought it

     The way you came?

  Was it I who bowed

     And held the fire?

  Was it you whose proud

     Regard drew nigher?

  Was it your torch took

     Sudden light from mine,

  And your radiant look

     That I drank like wine?

  Or, did you pass

     Serene and still,—

  No smile, alas!

     On those lips so chill;

  Your torch unlit,

     And the Dark about,—

  Sole light in it

     Fast flickering out? [page 73]

  Nay, dying not,

     Though its flame must be

  By fated lot

     Unpassed to thee;

  Though the Dark be dark,

     One torch may prove

  A meeting-mark

     In the Endless, love! [page 74]

“UNTIL DEATH US DO PART”

SHE never meant to leave me so

     Who dowered me with Love’s estate,

  And taught my troubled soul to know

     Redemption in the woman-mate:

  Yet every day, although she smiled,

  She moved about so slow and mild.

  I heard a whisper in the air,

     And felt at times a furtive touch,—

  It followed me upon the stair,

     And gloomed my doubtful spirit much:

  But when my fear I breathed to her,

  She murmured: “Nay, I love you, dear!”

  And then her hand in mine was laid

     And we sate silent through the night,

  And though It stirred, were not afraid,

     But waited for the morning light,

  And thought that life was hers and mine,

  That God was good, and Love divine.

  Ah then, even then, the look of pain,

     And peace, and sorrow on her brow!

     .       .       .       .       .       .       .

  And never does she speak again,

     Nor clasp me any longer now:

  Death, who may hope to rival thee,—

  False Death, that stole her hence from me? [page 75]

LOVE’S SIMILITUDES

IN vernal grove a poplar slim

     Queening it over every tree,

  Lithest grace in girth and limb,

     Slender little sovereign she;—

  A feeble trope, a whilom whim,—

     No poplar is a peer for thee!

  Through azure air a soft young cloud,

     Lit with the sun, and floating free:

  About her all the heavens are bowed

     To guard and keep caressingly;—

  But nay, my lady Gracious-Proud,

     How shall a cloud compare with thee?

  On autumn nights the harvest moon

     Touching with magic land and sea,

  And in the hearts of men the tune

     Of far, forgotten minstrelsy;—

  Though shod with wandering music-shoon,

     The mellow moon’s no match for thee!

  Sweetheart, no longer I’ll essay

     To seek thy like in cloud or tree

  That come, and bless, and pass away,

     Striving forever how to be;

  For all my guardian-angels say

     Perfection’s perfected in thee! [page 76]

TO A YOUNG GIRL

                  DO not forget,

             When you are old,

                  Margaret,

             And I am—cold,

That long ago I was your loyal lover.

                  Two, when we met,

             Were you,—no more,

                  Margaret;

             And I—twoscore;

Far in the past, those sunlit days are over,—

                  Those days God let

             Shine pure and bright,

                  Margaret,

             When man and mite

Merrily played amid the summer clover.

                  My sun has set

             That yours might rise,

                  Margaret;

             Now all men’s eyes

Rejoice your radiant beauty to discover. [page 77]

                 And yet, and yet

             My soul says slowly:

                  “Margaret

                  Does not forget!

             Her child heart holy

Once and for aye enshrined you as her lover.” [page 78]

WAITING

AGAIN, a song!

  Would he be silent? Silence and doubt are wrong.

  It is not long.   .   .   .   No.   .   .   . No, it is not long.   .   .   .

  Even now his sturdy wings must beat toward home and me.

  Oh, let me sing

  As though my notes he waited, listening

  Somehow amazed;—let his mate’s music bring

  His erring flight to yearned-for rest, unerringly!

  Hark!   .   .   .   ’T is not yet,   .   .   .

  But I am happy; ’t is not meet to fret.   .   .   .

  Am I not happy? The sun is well-nigh set,

  And soon, and soon he homes him to the old beech tree.

  Yes, soon!   .   .   .   Yes, soon!   .   .   .

  Another   .   .   .   might be   .   .   .   lying dead, the wind a-croon;

  Broken his wings, unheeding sun or moon.   .   .   .

  But not my love; my strong one cometh back to me.

  Dear love, do not,

  (If thou art hiding near the trysting-spot)

  Do not delay, though sweet the little plot!   .   .   .

  I wait, and oh, sing as I may, Fear also waits for thee. [page 79]

  All song is done.   .   .   .

  Shrunken to nothing is the shameful sun;

  And out the stars are coming, one by one.   .   .   .

  And in the cold night lies my life, under a beechen tree! [page 80]

AT PARTING

THE night is silent, love, and here beside thee,

  Holding the hand that is not now denied me,

     I too am still; how shall I say farewell?

  No words have we, and yet the summer weather,

  Lulling the garden, gathers us together,

     And mingles us with myrrh and asphodel.

  Was there a time before that time, I wonder,

  When something flashed and rent the veil asunder,

     And visions faded and the Truth befell?

   

  And now, because thou art the Truth, I’ll grieve thee

  No longer by forbearing to believe thee,

     Though I am sent upon a sorrow-spell.

  How long the way thou sayest not, but only

  That I must tread it loyally and lonely,

     Unheeding whether heaven wait, or hell.

  Why this must be I cannot know, belovéd,

  But thou dost know, and, howsoe’er removéd,

     Some day, perchance, the secret thou wilt tell. [page 81]

   

  Nothing I ask; how shall the Truth be bounded?

  I leave thee, yet by thee I’m still surrounded:

     The sea’s voice sounds about the farthest shell.

  The moonlight deepens, love, and grows to golden,

  And thou and I in it are strangely holden;—

     Ah, holy, holy moment of farewell! [page 82]

THE NOVICE

SHE had a lover in the world,

  A lover wooing her to wed;

  “And does he live, or is he dead?”

 

  She knows not, but she bows her head,

  And broods upon the blesséd beads,

  And spends the day in holy deeds.

  “Mary, for one,” she intercedes,

  “Who is not good, thy grace I crave;

  Madonna, grant his soul to save!

  “He is not good, but, ah! so brave,

  And strong, and tall, and careless-glad—

  Careless and proud, my lover-lad!

  “Madonna, I am very sad;

  I do not know, I cannot hear—

  And once I held him passing dear.

  “O Mother, let me breathe my fear

  Into your bosom true and pure:

  I am not sure! I am not sure!

  “‘To wed the Christ shall be my cure,’

  I thought: ‘I must no earthly love,

  But fix my heart on Him above.’ [page 83]

  Bear witness, Mary, how I strove

  To melt his image into thine,

  And thy dear Son’s, incarnadine!

  “And wilt thou not bestow a sign?

  May not my rebel heart be blest?

  Or is ’t unworthy of thy rest?

  “Here in the twilight I’ve confest,

  Mary, to thee alone—thou knowest

  How I, among thy maidens lowest,

  “How I, even I, adore; and owest

  Thou not thy votary a grace?—

  Once more, but once, to see his face!

  “Mother, I clasp thy knees, embrace

  Them, kiss them, in abandonment!

  But once—and I shall be content!

  “Too weak and wrong for thine assent?

  Nay, Mary, she was not a nun

  Who bore thee, and who yearned to one.

  “And thou thyself didst bear a Son

  (Whose name be praised!)—Saint through and through,

  O Mary, thou’rt a woman too!” [page 84]

A GIRL’S COMPLAINT TO HER HEART

I FELT a breeze blowing upon my brow,

     Beside the open window as I lay,

  And dreamed it whispered: “Lo, the dawning day!

  Awaken! for the winds are waking now.”

  A bird sang dimly from her swaying bough,

     And in my dream I struggled to obey

     The breeze and bird, and joy even as they

  In the broad Sun,—and woke, I knew not how.

  About my heart, too, hovers a waiting wind:

     I would my heart would waken, but it seems

        Stubbornly sleeping, careless of any cry;

  I know it is not cruel or unkind,—

     Yet if it rouse not from insensate dreams,

        How may it hope for morning? It must die. [page 85]

A SONNET OF SPOUSAL

OVER the mountain hangs the hush of dawn,

     Irresolute to be or cease to be;

     The mist-bathed valley and each lonely tree

  Stretch motionless, as on a canvas drawn;

  Afar, ahark, a flight-arrested fawn

     Stands tense, th’ eternal sacrament to see—

     The quickened sky, that pulses tremblingly

  Till the red with day’s-blood lighting hill and lawn.

  So is it with the love that’s born in me:

     Silent it waited, wavered; risen now,

        The sky of life it climbs with steady power;

  Sweetheart, its day is ours. Oh, may we see

     Together its high noon, together bow

        And worship in its holy evening hour! [page 86]

AMOR SEMPITERNUS

WHEN first I found thee, Ruth, I thought: “How rare!”

     As one with quiet pleasure may behold

     A wildwood flower her fairy leaves unfold

  Because a herald zephyr lingered there.

  After a new adventure: “She had an air

     Of mirth and mischief;” then—“With how controlled

     And clear a vision she views the stars untold!”

  Last, on a sudden: “God, how she is fair!”

  When was the mystery that made thee mine?

     What moment married us,—the first surprise?

        The summing of thy linkéd lovelinesses?

  Or the pang of passionate hope, desire diving? . . .

     Ah none! We looked each other in the eyes,

        Remembering a Chaos of caresses. [page 87]

PAURA NON E NELLA CARITA

THE place, a Tuscan churchyard, and the time,

     Languorous autumn, and late afternoon;

     The silence of surrender; the solemn moon,—

  Pale ghost of some unexpiated Crime,—

  Viewing the sun’s recessional sublime

     Austerely; while the shadowy lagoon

     Trembles along the surface, ceasing soon

  As to whisper of an alien clime.

  But who are these, unheeding the chill gloom,

     That move along the avenues of Death,

  Or idly pause before some ancient tomb,

     Where each, to hold the other, lingereth?

  Ah, only lovers can bear the eyes of Doom,

     And smile to hear the fatal words she saith! [page 88]

THE FIREFLY

WHILE on my bed I lay, watching the night,

     A sudden something flashed about the room,

     At brilliant battle with the giant gloom,

  Pulsating vividly,—a point of light;

  A brigand with a bosom; a roving knight

     Of old Romance, ready to reassume

     The quest of Roland, and challenge Roland’s doom

  In the dead Dark;—a firefly, fleet and bright.

  So darts a tireless thought about my mind,—

     Luminous, magic, passionate with joy,

        Scourging and slaying the melancholy drove

  That fear its power, as the dust the wind;

     Within its heart of fire a wingéd boy

        Compelling, and his radiant name is Love. [page 89]

THE TRANSFIGURER

O SWEET to hear thy name on friendly tongue,—

     But sweeter far to hear thee utter mine!

     O joy to enter memory’s secret shrine

  And find thee thronéd sovereign saint among

  All hopes and honours I have sought or sung;—

     But greater joy to see the image shine

     Of my sole self within thy tender eyne,

  And lose the years, and share thy spirit young!

  If this be selfish, dear, or selfish seem,

     Let me confess my fault, and bear correction;—

  And yet from penance may this plea redeem:

  My name I love not, but as thou dost call,

     Nor my presentment save in one reflection,

  For thou art Love, and loved, and lover all. [page 90]

“THE MOON, AND MY LOVE, AND I”

THE moon, and my love, and I;

  A welter of clouds in the sky;

  And the night-wind sighing by!

  I turned to her and I said:

  “Why are we yet unwed?

  Soon the moment will have sped.”

  Trembling, she touched my hand:

  “How may you understand?

  Is love a thing to be planned,

  “Or its own sufficient light?

  How the storm-clouds drive to-night!

  Fearsome to me the sight!

  “Can the moon be happy above,—

  The moon, dear symbol of love?

  She thrives not, where once she throve.

  “Lover, I dread the maze

  Of ’wildering sorrow-ways

  That may darken all our days.”

  But I made answer to her:

  “The moon is happier

  For the sky’s strange strain and stir. [page 91]

  “She shines as she always shone,

  And still reigns—she alone—

  On her storm-besiegéd throne.

  “Soon must the clouds subside;

  Soon shall the wind have died;

  Through a heaven new-glorified

  Love’s majesty shall ride,—

  God’s Moon, th’ eternal Bride!”

  .       .       .       .       .       .       .

  A hush in the air,—no sound!

  Somehow her hand I found;

  The moonlight wrapt us round. [page 92]

HER HEART BREAKS SILENCE

BECAUSE that thou art pale and cold and still,

     I feel the spirit, Winter, one with mine;

     All times are sunlit saving only thine,

  And all but thee the joys of life fulfill:

  Sweet madcap Spring skips free from hill to hill,

     And Summer’s golden sap swells every vine,

     The wine-dark eyes of Autumn brood benign

  Through purpling ways upon the whippoorwill.

  His note is silenced, gray and lonely ghost,

     By thee alone; from thee the birds and streams

        Shudder away for shelter, love thee not;

  And the great Glory thou dost worship most

     Withdraws his being, and averts his beams,

        And leaves thee to thy melancholy lot.

  He does not know the secret in thy heart,

     And why thy face is pale he does not dream,

     Nor yet how excellent thy sight would seem

  If he approaching saw thee what thou art:

  In his smile smiling, of his presence part,

     By his warm radiance made to glow and gleam;—

     Thy fruitful beauty straight becomes his theme,

  And love his challenge is, and love his chart. [page 93]

  So, Winter, is it with the soul of me

     My hero scorns so slight and frail to find—

        And ever slighter while it waits unblest;—

  O turn he but a moment, he should see

     His own light in these eyes, to all else blind,

        His holiest honour in this faithful breast! [page 94]

“SHE IS NOT DEAD”

SHE is not dead: is shall not be

  That she has gone away from me

  Into a stark Eternity.

  Her limpid eyes were large with ruth

  And wonder; in her senses, youth,

  And hunger in her heart for truth.

  Ah, how she loved to watch them glide

  So dreamily from side to side,—

  The birds that but a summer bide;

  And how she joyed in greening trees

  And every saucy little breeze

  That with her locks took liberties!

  But if a shadow fell, and Pain—

  My tireless harrier, unslain,

  Unslayable—should strike again,

  Child though she was, the mother-soul

  Would rise within her, and would roll

  The stone away, and make me whole.

 

  So child and mother she, now wise

  Beyond the books, while now surprise

  And maiden-mischief lit her eyes; [page 95]

  Then dreamy as the birds that glide,

  Her gaze would change; unsatisfied

  And wistful would it wander wide,

  Seeking the secret still denied

  To mortals.   .   .   .   So, they say, she died.

  It is not true: it shall not be

  That she has gone away from me

  Into a stark Eternity. [page 96]

III.

[unnumbered page]

[blank page]

“O EARTH, WHAT CHANGES!”

(Macaulay’s New Zealander.)

HE climbed no more, but turned at dusk of day,—

     A statued doom. At last he sigh’d and said:

  “And this was London!” Died the word away,

     Trembling to silence with the mighty dead. [page 99]

THE EARTHQUAKE

A ROLLING, griding rumble: a sharp shudder;—

  The earth is spasm!

  A long multitudinous wail   .   .   .

  Sudden flames leaping; fingering, swallowing   .   .   .

  Dust and darkness! [page 100]

AN OLD MASTER

I SAW a picture yesternight,

     By a most ancient Master done;

  Ah me! its beauty smote so bright

     I saw it, and—’t was gone.

  Dark were the woods, and dark the plain,

     And dark clouds drifted all about,

  When from a storm-heart rent in twain

     The white-pure Moon looked out. [page 101]

THE TOUCH

AGE-OLD, age-silent, Nature queen,

     Mindful of ancient vows,

  Changeless, with finger sibylline

  Touches once more the trembling treen:

  Shyly and dreamily the green

     Wavers along the boughs. [page 102]

A LAKE SUNRISE

SHEATHED by the everlasting sky

  That bends caressing from on high

  In garments blent

     Of white and blue,

     And fairer, farther, fainter hue,

  The silent lake lies musing and is well content.

  Calm child-of-many-waters, dream!

  Sudden across thy breast shall gleam

  A wave-kissed way

     Of floating gold,

     Fixed skyward with a steadfast hold,

  Whereon an angel lingering may kneel and pray. [page 103]

DAYBREAK

SUN!   Sun!   Sun!   Sun!

  Chorus of earth-birds, chorus of sky-birds, myriad matins begun,

  Cross-tangled adventurous music, anthems of awe,

  Of appeal, adoration: litanies now of law,

  And now raptured singings of trust in the truth of the light,

  The Lighter’s proud power, and the rich-altared East, all bedlight

  With the glimmer, the glow, and the glory, till it mounts into flame,

  And the mass-music mightily swells to the sovereign Name—

  Sun!

  As his garment, incredibly golden, the edge of the world has won,

  And life is astir, and love is alive, and the sighing and sleeping are done;—

  Sun!   Sun!   Sun! [page 104]

LES CAMARADES EN VOYAGE

THE vessel is restlessly rushing over the waters,—

  But the moon is silent and still;

  Hundreds of men and women are aboard,

  Listlessly lounging, or sleeping, or chatting, or playing,—

  But the moon is solitary;

  The heart of the ship labours incessantly,

  With fierce energy driving her forward, forward,—

  Ever the effortless moon is astern;

  The lights of the port shine out,

  The passengers stir, show interest, crowd eagerly up,—

  “We are arriving,” they say. “We have made a speedy voyage.”

  And as they step upon the pier, lo the whiteness there! [page 105]

TO NIGHT

COOLING, quieting Night,

  Subtle abolisher of the long-burning light

  Of Day; wrapt with thine ever-darkening hair,

  Searching with agile, patient fingers everywhere

  Lest in some undiscovered spot thy foe, reluctant, hideth;—

  Mother, in whose deep bosom Sleep abideth,

  Thy child and Death’s, the gloomier Shade that glideth

  Constantly after, stern husband-soul of thee,

  Whom only thou regardest and dost not flee,—

  O lead him soon to me,

  That I too feel him Father, unfearing tread where he hath trod,

  And be at one with the silent Three that brood and move in the Shadow of God! [page 106]

A SUMMER NIGHT

SILENT the vast of night:

  Silent the hills on horizons,

  Low, dark, continuing;

  Not a leaf is bestirred on the branches

  By the wind, now hushed into nothing,

  Or the careless, confident touch of a bird alighting;

  Silent the rocks, sullen resisters;

  Silent the waters,

  Even the very young waves, the gentle rippling washes of the slim sand’s little lovers;

  Very silent the moon, that rises and rises, dear sorceress—

  Never a whisper, a hint, yet the luminous, tremulous path is forever

  Turning and twinkling to me, appearing, evanishing,

  Infinite points of light liquescent, sparkling and darkling;

  And I look at the hills and the trees and the rocks and the waters,

  And I look at the moon and the glorified path to her glory,

  And share my brothers’ silence. [page 107]

ARIEL’S REVENGE

IN olden time sprite Ariel would fly

  To do his Master’s bidding, far and high;

  But that was ere Man looked at him askance,

  And changed him to a shadow-of-romance.

  Long Ariel endured his friendless fate,

  But a strange miracle happened late:

  The restless prisoner has broke his span

  And flown into the very heart of Man,

  Making us mad our new-felt wings to try,—

  We rise, we dive, we climb, we mount the sky!

  Forgive us, Aviator Ariel,—

  ’T is thou hast freed us, and we love thee well! [page 108]

THE AERONAUT

  PÆAN, sing pæan!

For I have made me wings;

  No more the empyrean

Withstands my journeyings;—

     The empyrean,

  Eternal, silent, vast!

  I enter it at last,

And the god in me sings.

  Power, sing power!

For I am greater grown;

  This is the mighty hour

When all becomes mine own;—

     The mighty hour

  Dreamed, laboured for, fulfilled,

  Won as my spirit willed,—

The firmament known.

  Yet, in the singing,

Hearken a low, sweet cry:

  “Wouldst thou, O Man, be winging

The stretches of the sky;—

     Wouldst thou be winging

  Thine ever-upward way,

  Did not Love smile and say:

‘Thy courier I!’?” [page 109]

A SETTLER’S GRAVE

FAR on the outflung headland thou dost lie,

     Silent and lone, the lonelier for thy kin;

     Here they have railed thy rotting tombstone in,

  And here a thousand times they pass thee by.

  Theirs the unwistful, unillumined eye,

     To whom the earth is earth, who never win

     A whisper’d word from heaven when suns begin,

  But toil and sleep;—these live and thou dost die.

  Or is it death to leave the ways of men

     And lie upon the headland with no sound

  Save for the brooding Love that covers glen

     And lake and forest in its vast profound;—

  While the gulls shrill their secrets to thy breast,

  And in the boughs above the redbirds nest? [page 110]

THE EYES OF THE EAST

I SING the East at sunset, the low East,

     The lonely East, that is not looked upon;

     Her glory hath departed, from her wan

  And straitened eyes the stare is unreleased;

  She sees the marriage and the marriage-feast,

     The shameless ardour of the Bride o’ the Sun,

     The troubled yielding of the Captive One,

  Who droops and wavers till his light has ceased.

  Still sits the East and broods across the earth

     With fixed eyes: is motherhood in vain?

  And minds her of the marvel of his birth

     And the long silences that spoke again;

  Thus through the night she dreams; at dawn her eyes

  With awe are holden and with strange surmise. [page 111]

A FOREST GRAVEYARD

THE birds brood silent in the underbrush,

     A stricken ghostliness stands each stark tree,

     The hesitating river glides less free,

  Fearful of the inviolable hush;

  Beyond the stream a solitary thrush

     Sings, and the sun’s deep crimson drapery

     Is drooping o’er the land, but breathes to me

  No hope the wintering shadows cannot crush.

  I turn to go, and in the littered leaves

     Stumble upon a shell, a shapeless stone,

        A withered rose, huddled together there;

  O secret grave, sure no sad mother grieves

     The little ward of death thou guard’st alone:

        Be I thy mourner, child, and thou my care! [page 112]

SONG OF THE EVENING CLOUD

MOTHER, O mother, Moon my mother,

        I hear your whisper over the sky,

        Gentle its breathing as you draw nigh,

     It is softer and sweeter than any other,—

  The whistling sweep of the breezes keen,

  The murmurous hum where the Sun has been,

  Or the croon of the Night in her shadow-sheen;

     Mother, O mother, Moon my mother,

     Come, and my kisses shall smile and smother!

     Mother, O mother, Moon my mother,

        Why must you glide so swiftly by?—

        Yet how pure is my life and my heart how high,

     Higher this moment than any other!

  While I clung to you, dear, and your word had blest,

  While your white spirit became my guest,

  O the joy I felt to be so caressed;—

     Mother, O mother, Moon my mother,

     Brighten us, lighten us, brother and brother! [page 113]

“BROWN FELLOW”

BROWN FELLOW, rusty fellow, better cease your wooing;

     All Summer long your loves have laughed at your appealing glances.

  Too whist you are, unkissed you are—yours is no way of doing;

     For bright Lord Sun each leaf that blows bedimples her and dances;

          But you’ve no share, mute surly Earth,

          In this green and golden mirth.

               Give o’er, give o’er,

               Leaf-loves desire no more!

  Brown fellow, rusty fellow, wise you are and patient;

     Madcap Summer’s day is done, and friendly Autumns careth;

  They stoop to you, they droop to you—what though you’re dark and ancient—

     The little leaves they lowly turn, each to your bosom fareth,

          And as it falls the tender hush

          Of love and longing’s in its blush.

               Amen to ye,

               Your brides they all shall be! [page 114]

“THE RAIN IT RAINETH”

TO green the grass,

      And mud the road,

   To run the lass,

      And draw the toad,

The rain it raineth cheerily.

   On ploughéd field,

      And cistern dry,

   On woods and weald

      Lest saplings die,

The rain it raineth busily.

   To stream the plains,

      And scare the kine,

   To bang the panes,

      And drench the pine,

The rain it raineth wilfully.

   Down to the sea,

      Whose slumberous waves

   Insensate be,—

      Dull-shining graves,

The rain it raineth mournfully. [page 115]

OUTWARD BOUND

               SAILING, sailing,

Over the waters and over the world,

High to the heaven our sheets unfurled;—

               Hailing, hailing

Our Lord the Sun, our Lady Moon,

The starlit Night, the ardent Noon;—

               Failing,

               Paling,

        To twilights breathless,

        And dreamings deathless,—

And aft the Creole sailor’s croon.

               Leaping, leaping,

Quick with the quivering life of the Trades,—

On our bow grows the sea-line, to windward it fades;—

               Creeping,

               Sleeping,—

        The Wind-God numbers

        Our sudden slumbers,

Our eeriest fancies, strangest fears. [page 116]

THE LAST LULLABY

THE shepherd moon mothers her shining sheep,—

  The little stars that cluster close and deep;
                      And soon they sleep.

  The flower’s wings are folded to her breast:

  She hears a whisper from the darkling west;—

                       How pure her rest!

  Dim droop the drowsing birds upon the trees;

  The boughs are still as they: no unquiet breeze

                       Troubles their ease.

 

  The far and lonely waters feel the spell,

  Whose monotones sound slowly out, and tell

                       Their sway and swell.

  All nature is asleep and dreaming dreams

  Aglow with wonder that on waking seems

                       But broken gleams.

  So let my spirit sleep the sleep of death:

  Close, eyes; be idle, hands; and silent, breath!

                       Wait what It saith! [page 117]

THE GOD OF THE GULLS

O THE God of the gulls goes straight and swift,

     Whatever winds may be:

  Straight he goes, and swift he goes,

     Over the secret sea.

  For the God of the gulls has a restless heart

     That will not let him be:

  By day and by night it urges him

     With the urge of eternity.

  Yet the tireless God of the tireless gulls

     Forgetteth not his own:

  Out of his bosom booms a cry,—

     Wave-echoed, tempest-blown;

  And the birds beat down to the sheltering shrouds,

     Or gather upon the hull;

  Safely they sail on the breast of the giant,—

     The strong or the young sea-gull.

  But the storm dies down, and clouds dissolve,

     And out on the sunlit sea

  Wheel and circle the white-feathered folk,

     Playing right merrily.

  Then their God laughs kindly, and tosses food

     To the eager-whirling things;—

  A rapturous dive of the sea-children

     With the sun on their glistening wings! [page 118]

  O the God of the gulls goes straight and swift,

     Whatever winds may be:

  Straight he goes, and swift he goes,

     Over the secret sea. [page 119]

A NIGHT ON THE SAINT LAWRENCE

(RIMOUSKI)

IF the world were itself alone,—mere mountains and seas and cities,

  Performing each its function, yielding not further service,

  There might not be God.

  But there is Beauty also, and Beauty is very God.

   

     Sky-glory, sea-glory, glory of rocky headland,—

  The vivid tinge of the orange-tawn outspreading from the sunset,

  Vivid yet soft, a velvet dream-fire, glowing with opal magic,

  Pulsing with silent passion   .   .   .   imperceptibly paling   .   .   .

  For fifty golden minutes creating a saffron sea,

  A ship of emprise romantic, a shore of haloed harbours!

   

  In the shoulder of the sky a single star is shining,

  While from the foreground answers the tiny beam of a lighthouse.

 

  Too tremulous the scene: soon it has faded, vanished,

  And steel-blue darkness comes, and a shudder as of coldness. [page 120]

  After a long moment, a quiet waiting,—

  To the north a great warm sleepy light arises:

  The full moon swimming up from the wet and wan horizon,

  With worshipful wave-satellites weaving her path before her!

  Alas! such pictures stay not,—pass, yet can perish never;

  For them supremely exist the sky and the sea and the mountains,

  As parts in a master-drama.

  O God, how Thy glory makes the human spirit drunken

  With awful joy and wonder!

  Thy word, unwritten, so may we read, behold Thy face effulgent,

  Thou brooding, loving Artist, whose holiest name is Beauty. [page 121]

GOD’S EYES

Marie:   FATHER, what colour are God’s eyes?

Father:  Guess sweetheart. You shall have three tries.

Marie:   Then are they blue?

Father:                                      Yes, bluer far

              Than where the highest heavens are.

Marie:   I cannot think of eyes so blue.

Father:  God’s eyes are brown.

Marie:                                       Father, but you

              Told me just now my guess was true.

Father:  Still, sweetheart, not the earthly loam

              Is brown as are his eyes, the home

              Of russet, sepia, and chrome.

Marie:   Father, I do not understand.

Father:  God’s eyes are golden, dear; when land

              And sea are bathed in sunset glow,

              And holiness seems brooding low,

              The eyes of God are there also;

              And when the first faint violet hue [page 122]

              Steals tremblingly the petals through

              Till its full life is pulsing new,

              The flower lifts those eyes to you.

              When in the woods the drooping day

              Watches the whirling leaves at play,

              Then well we wit God’s eyes are gray;

              And, sweetheart, when each quiet night

              You fold your hands so sure and tight,

              And, with your fresh young soul alight,

              Tell to the Father every mite,

              Those all-seeing eyes are purest white.

Marie:   Is it all true as can be?

Father:  I would not tease you, small Marie!

              Nay, you must watch and see, dear maid,

              When next the bow in heaven is laid,

              God’s eyes change slow from shade to shade. [page 123]

TO A BUTTERFLY

                  BUTTERFLY, butterfly,

                  Flutter by,

               Over and under and over,

               Flitting from lily to clover,

               Restless, unsatisfied rover!

What is it thou dost hunger after

   That is not now, yet is eternally to be—

Sunshine and the warm sun-laughter

   Touching into glory the waving wings of thee?

               Frail insect, mad-possessed

               Of quenchless, fruitless quest,

      Patiently brooding the loneliest leaf,

   Searching the silentest flower,

      Placing the hills and the meadows in fief,

         Scorning no spot of the arid or arable,

   Questing for aye in thy life of an hour,—

                    Butterfly, butterfly,

               Utter thy parable!

                  Tireless discoverer,

                     Voyager vagrant,

                  Hopefullest hoverer,

                     Lured by the fragrant;

Ruthless deserter of grapes and camellias,

Yearning to, turning from, countless Ophelias,— [page 124]

                 Urged on by the vision

                    Of wonder supernal,

                 To autumn’s decision

                    Referring the vernal;

                 All to see, all to see:

                 Of the Past the history,

                 Of the Last the mystery;

For brief engrossing moments joying in the real,

Yet swift again to know the sting of the ideal;

                 Wary of Nature’s benison,

(In the inmost heart of thee the pang, the sting!)

                 Of this demesne no denizen,

No captive, but an age-appointed Thing!

Butterfly, can nothing win thee into rest,—

              No petal here or yonder?   .   .   .

Nay, flutter by, contentless, as is best,—

              While with thee I wander! [page 125]

LYRICS OF THE RAIL

I. THE SCORNED TOWN

THE green fields waver, break a space

     To black and white and gray,—

  Men standing, staring in a place

     That quickly dies away;—

  And swift again on left and right

     The living, slipping green.

  What was that black and gray and white?—

     A phantom never seen!

II. THE CANYON

  The sky withdraws, the cutting narrows,

     A vague intention fills the air;

  Still past the window stream the arrows

     Of light and darkness, everywhere.

  A moment, and the battlers waver;—

     Another, and the night has won;

  Into the mountain’s dark disfavour

     Plunges the train at set of sun.

III. THE SLEEPING-CAR

  The land is silent, and the moon

     Is slowly rising; the long jar

  Of wheels on rails all afternoon

     Is past, and stars and stillness are. [page 126]

  As from the darkness of the couch

     I turn my wakeful eyes, and gaze

  Thro’ lonely panes, I could avouch

     That earth and man, and nights and days,

  Are lost and gained, that all are one:

     The low-heard speeding of the train,

  The cloud-swept moon, the stars that run,

     The heart’s assumptions and its pain. [page 127]

TEMPEST-TOST

IN a flash the rain roars down,

     Tearing a way to the ground

     With a splashing, unmusical sound,

     With a quivering, quick rebound,—

  Striking each dusty town

     Into a gloom of the flood,

     Into a chill of the blood,

        At the ravenous roar of the rain.

  The thunder struggles for breath,

     Beaten with moaning of ire,

     Mad with a rebel desire,—

     Lightning, its heart of fire,

  Goads it to desperate death,—

     Fear follows everywhere,

     On the earth and the sea and the air,

        Forebodings of terror and pain.

  Then the voice of the sea outcries:—

     “All my waves have in anger arisen,

     Scorning my bosom a prison,

     Lashing me while I listen

  To the prayer as of one who dies:

     ‘O Infinite Love, come thou,

     Save me and pilot me now!’

        And straight there is silence again.” [page 128]

  Low earth-murmurs kindle and loom,

     And its secrets have thickened the sky,

     Till it sweeps them before the fierce eye

     Of the hurricane hurrying by.

  Clash all the drivings of doom,—

     Storm! and the world in collapse,—

     Despair! were it not the perhaps

        There’s a whispering promise-refrain. [page 129]

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IV.

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HAMLET

HE would see all, this thinker! He would see

   The lure of life, the deep of mystery;—

   He sees, and he is silent: Love and Hate

   Sink into nothing while he stares at Fate. [page 133]

A GRACE BEFORE SHAKESPEARE

     (“I own that I am disposed to say grace upon twenty other occasions in the course of the day besides my dinner. I want a form for setting out upon a pleasant walk, for a moonlight ramble, for a friendly meeting, or a solved problem. Why have we none for books, those spiritual repasts—a grace before Milton—a grace before Shakespeare—a devotional exercise proper to be read before reading The Faerie Queene?”—Charles Lamb: Essays of Elia.)

WEARY and wishful of the woods, we hear

     The whispers of the leaves of Arden stealing

  Down the dull ways of sense with “Better cheer!”

     Or strain to catch a sweet and tiny pealing—

  The elfin bells of Puck and all his line,

     And watch the lights of springtide clearer growing,

  And smell the violet and the eglantine,

     In love with Love, and fun and frolic flowing.

  Darken our day-dreams, and the air strikes chill,

     And shadows huge and formless go a-glooming,

  And moments are when Life and Death stand still

  Before Lord Fate’s inexorable dooming;—

  Shakespeare, or murmuring night or morning song,

  Always abideth, calm and strong! [page 134]

TO SHAKESPEARE’S MOTHER

DID he, madonna, on thy bosom turning,

     Look in thy woman-eyes and see soft fires

     Glowing and melting, passioning and yearning,

     Lit with the mother-light of far desires?

  O did he fix his still regard upon them,

     Learning their meanings manifold and strange,

  Climbing with wonder up to count and con them

     Ere they should vanish and the moment change?

  The visions that thy soul revealed him then,

     Though thou hast died, madonna, may never die:

  They dwell eternal in pure Imogen,

     Cordelia’s truth and Desdemona’s sigh,

  Rosalind’s Arden, Miranda’s island wave,

  Girlish Ophelia’s love, and Juliet’s grave. [page 135]

TO A CLASS IN SHAKESPEARE

GOSSIP of swains befooled by fairy charm,

     With wordy riots of buffoon and clown,

     And ripples of light laughter floating down,—

  Mischief and Mirth and Music arm in arm;

  Or shadows of the nightfall, soul-alarm

     And soul-despair, Fate’s ever-fixéd frown,

     And man’s high-hearted struggle lest he drown

  Under the rising waves of wrong and harm;

  These spirit-symbols have we heard and seen,

     Treading alike the meadows and the blind

        And labyrinthine windings long and dim;

  Danced have we and stood doubtful, yet have been

     As those that think the better of their kind

        Because they’ve walked together and with him. [page 136]

TO HARRIET SHELLEY

AS some blithe schooner sailing on the breast

     Of ocean, thrilled by the sheer voyaging,

     Heedless that wave and wind must hourly bring

  Her near and nearer to the haven-rest;—

  Yard-arms akimbo, carelessness confest,

     Dancing through the worlds of water, white of wing

  Where now the roar, the rigour and the zest;

  Creature of chance, so was it with thy life,

     Who knew not, hardly loved, the element

  Upbearing thee, but, glad to be a wife,

     Took little thought whither the compass bent,—

  Crossing the troubled deep of Shelley’s spirit,

  The silent Dark thereafter to inherit! [page 137]

TO JOHN KEATS

     (In one of those mental voyages into the past which precede death, Keats had told Severn that he thought “the intensest pleasure he had received in his life was in watching the growth of flowers,” and another time, after lying a while quite still, he murmured: “I feel the flowers growing over me.”—Lord Houghton’s Memoir)

“SEVERN, I feel the flowers o’er me grow.”

     The grow, loved boy,—the daisies drenched with dew,

     Pale sentries of the Sleep that silenced you;

  And violets, that the poet-password know—

  Your soul to theirs gave whisper long ago:

     In all that Roman garden none with hue

     More bright; and many a clover avenue,

  Sweet flower-forests waving to and fro.

  And every plant in that so holy place

     Yearns to your lyréd grave, and all that earth

        Bears wheresoever into blossoming;

  And every seed of honour, ruth, and grace

     Quickens when buried there, and comes to birth,

        Greening above you in eternal Spring. [page 138]

TO GEORGE BURROW

(Lavengro.)

NO “book,” but your own heart, was written, Borrow,

     When pen and paper met,—that heart of hope

  And havoc, English pride and world-wide sorrow;

     Here on a breathless page two rascals cope,

  Or here the Roman gypsy greets us smiling,

     True to his tribe’s inscrutable constraint;

  That picture fades, and Murtagh moves beguiling,

     Or Belle the bold, or Winifred the saint;

  Down to Lavengro’s dingle when we go

     We go down also into melancholy,

  And wrestle through the night with nameless woe,

     With human horror and eternal folly.

  O brood, or laugh, or rage from Thames to Tiber,—

  Knight of the ancient ruth and fearless fibre! [page 139]

PIPPA AND HER FLOWERS

                                                         “She stoops to pick my double heartsease.   .   .   .   ”—Morn.

                                                                      “Even my lily’s asleep, I vow:

                                                           Wake up—here’s a friend I’ve plucked you!

                                                           Call this flower a heartsease now!”                           —Night.

                                                                                                                  —Pippa Passes.

HER flowers? The martagon flame-lily glowing,

     And heartsease, dreaming happiness alway,—

     The Trinity-of-Pippa, she and they!

  Dawn! and the heartsease in the valley blowing,

  And gladness in a girl’s young soul o’erflowing:

     Sings she a welcome to her Holiday,

     Teases and tends her lily, laughing gay,—

  Then up and out her eager feet are going.

  Think, friend of mine, that little figure bending

     To pluck the heartsease for her lily lonely,

  That each may love the other at day’s ending,

     Shall live when you and I are shadows only;

  The childlike kindness in that simple deed

  Shames into silence Death’s despairful creed. [page 140]

“STORM STILL”

DRENCHING the moors, and through the forest glooms,

  While thunder booms,

     The rain is roaring;

  With lightning-glares the heavens shiver,

  The giant branches thrash and quiver,

     The birds go scudding, screaming, soaring.

  For Love, for Love is dead and gone for aye,

  So all things say,—

     Yea, all things, all things,—

  While with fixed eyes and arms upraised in power

  An old mad king hurries the fatal hour

     With cries, defiances and callings.

  Storm still, storm ever, until the day is done,

  And, one by one,

     The stars are shining:

  Though Love be dead, see Love’s wan ghost appearing,

  And through the silent Dark her pathway clearing,

     On bruised and baffled Lear declining! [page 141]

TO THE FRIENDLIEST OF POETS

CHAUCER, kind heart, who with the score and ten

     Laughed your long way through Kent’s a-greening fields,

  So mild, my gentleman! yet your arch pen

     Its ancient freshness yields;

  Life was to you no dreary heaviness,

     No, nor a fretting puzzle for the mind;

  You saw the best and worst, and both would bless,

     For both were of mankind.

  The “smale fowles” lusty would be singing,

     The summoner his “stif burdoun” would bear,

  But in your poet-soul the music ringing

     Was sure the sweetest there.

  Maister of words, and lover of the human,

     Refresh us ever with your vernal prime;

  A tonic draught for us, or man or woman—

     Your frank and winsome rhyme! [page 142]

TO MY LORD VERULAM

                                         “If parts allure thee, think how Bacon shin’d,

                                          The wisest, brightest, meanest of mankind!”

                                                                                                         —Pope: Essay on Man.

“OF mankind meanest!” Out upon the pen

     That dared malign you, good my lord, so grossly,—

  A little soul, that stooped his lowest then,

     With formal praise to mingle blame morosely,

            At courtly honour sneering!

  Your steady conscience those may read that run,

     Maugre a faithless king and “raskall rabble;”

  Your life-truth and your word-truth were as one;—

     The empty man is known by empty babble:

            The wise can wait a hearing.

  The hand that wrote of friendship, and the heart

     That Matthews loved, and Rawley, were not strange;

  The eloquences of your lordly art

     Had in your bosom first their ample range,

            Their high-bred spirits rearing.

  Thinker profound and patient, labourer true
    Amid the turmoil of an eager time,—

  Now without fault, yet blameless—we by you

     Move cheerlier forward to the golden prime,

            The way more sure appearing. [page 143]

TO MASTER HENRY FIELDING

I’ FAITH, good Hal, you have a saucy wit,

     You sober-smiling magistrate of modes,

  And yet, I swear, I like the way of it,

     Save when, of course, it mocks my social codes

             And private peccadilloes.

  And what a brave old Bull you are, my Fielding,

     And how you tear and toss the crimson rags

  Of “low” and “law,” and how you scorn the yielding

     To critics who, unhorsed, their saddle-bags

             Must use in lieu of pillows.

  They’re left to brood their sins, whilst you, impatient,

     Like Ocean old, to change the figure here,

  With soul as free as that of any ancient,

     And sentences as trifle mixed, I fear,

             Sweep on in lofty billows.

  Roguish as Puck, and now benign as Brahma,

     Give us to drink from out your generous glass,

  Seer and lover of the human drama,

     Wisdom and cheer through all the way we pass

             From storks to weeds and willows! [page 144]

TO MISS JANE AUSTEN

MADAM, I must express respectful wonder

     At your delightful novels, penned despite

  Your unawareness of the proper thunder

     Employed by those professionals who write

                 For present generations.

  You’ve minor merits; we have—Miss Corelli—

     She’s in “Who’s Who” and so is Mistress Ward;

  Your heroines are bourgeoise Liz or Nellie—

     Such homely English hearts you seem to hoard,

                 Untoned by foreign nations.

  Your canvas, too, is very small and shrinking—

     You’ve said as much yourself—and yet you smile,

  Content with gentle raillery, not thinking

     Of what you ought to do—belabour guile

                 What stageable gyrations.

  Indeed, dear Madam Jane, the eagle wheeling,

     The vulture tearing, e’en the owl sedate,

  Or brooding hen,—such modern modes of feeling

     Are foreign to you, I regret to state

                 (With mental reservations). [page 145]

  So mild and unobtrusive seems your pleasure

     It minds us rather of the humming-bird,

  Sipping and skimming to a patterned measure,

     Within an ordered park of way and word,

                 ’Mid Spring’s felicitations.

  It’s true, of course, that you amused Sir Walter,

     Lewes, Macaulay, and a number more,

  But fashions change, Miss Austen, have to alter,—

     Your glowworm humour now is ancient lore,

                 Barren of imitations.

  In short, although we like you still extremely,

     It’s not the thing to read you nowadays;

  If only you had been a bit unseemly

     In style, or bold of plot, why then our praise

                 Might still perform oblations.

  So good-bye, Madam; we must leave behind us

        Your wit and wisdom, for no more they’ll do:

  We must progress, the publishers remind us—

        This chat was pleasant, but it means—adieu!—

                   Our people are creations. [page 146]

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