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FRONT MATTER
Title Page
Acknowledgements, Copyright
Table of Contents
PREFACE
Rummagings, 9: Charles G.D. Roberts’s Tantramar: Towards a Theory of the Literary Possession of Place and Its Implications
**Note: The previous numbers of “Rummagings” appear in Canadian Poetry 51, 53, 54, 56, 58, 61, 63, and 65.
by D.M.R. Bentley
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STUDIES
“Why Am I Crying?”: P.K. Page and the Mystery of Tears
by Sara Jamieson
Where East Meets West: Theosophy and the Vancouver Poetry Society
by Thomas Hodd
The Birth of Canadian Mythopoeia or How to Read Poetry in a Binksian Universe
by Philippe Villeneuve
F.R. Scott and the Emergence of a Poetics of Institutional Critique
by Bart Vautour
Theoretical Constraint, Linguistic Copiousness: Reconsidering Section “A” in Christian Bök’s Eunoia
by Jean-Philippe Marcoux
Darren Wershler-Henry’s the tapeworm foundry, the Lyotardian Sublime, and the Ethical Importance of the Inhuman
by Andy Weaver
REVIEWS
Writing History about Literatures amidst “the Limitations, Challenges, and Successes of a Multicultural Country”
by I.S. Maclaren
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