Works Cited in Essays


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Agamben, Giorgio. The Coming Community. Trans. Michael Hardt. Theory out of Bounds 1. Minneapolis and London: U of Minnesota P, 1993.

__________. Homo Sacer: Sovereign Power and Bare Life. Trans. Daniel Heller-Roazen. Stanford: Stanford UP, 1998.

Agnew, John. Place and Politics: The Geographical Mediation of State and Society. Boston: Allen & Unwin, 1987.

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Andrews, Mark E. For King and Country: Lieutenant Colonel John By, R.E., Indefatigable Civil-Military Engineer. Merrickville, ON: Heritage Merrickville Foundation, 1998.

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__________. Oeuvres poètiques. Ed. Marcel Adéma and Michel Décaudin. Bibliothèque de la Pléiade. 1956. Paris: Gallimard, 1967.

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__________. Poems. Ed. Kenneth Allott. 1965. Miriam Allott. Longman Annotated English Poets. London: Longman, 1979.

Arthur, Eric A. “Editorial.” Royal Architectural Institute of Canada Journal 35.4 (1958): 108.

Artibise, Alan F.J., and Gibert A. Stelter. Canada’s Urban Past: a Bibliography to 1980 and Guide to Canadian Urban Studies. Vancouver: U of British Columbia P, 1981.

Asch, Michael I. “Capital and Economic Development: a Critical Appraisal of the Recommendations of the Mackenzie Valley Pipeline Commission.” Interpreting Canada’s North: Selected Readings. Ed. Kenneth S. Coates and William R. Morrison. Toronto: Copp Clark, 1989. 299-308.

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__________. The Blind Assassin. Toronto: McClelland and Stewart, 2000.

__________. Bodily Harm. Toronto: McClelland and Stewart, 1981.

__________. Cat’s Eye. Toronto: McClelland and Stewart, 1988.

__________. Dancing Girls and Other Stories. Toronto: McClelland and Stewart, 1977.

__________. The Edible Woman. Toronto: McClelland and Stewart, 1969.

__________. The Journals of Susanna Moodie. Toronto: Oxford UP, 1970.

__________. Lady Oracle. Toronto: McClelland and Stewart, 1976.

__________. Life Before Man. Toronto: McClelland and Stewart, 1979.

__________. The Robber Bride. Toronto: McClelland and Stewart, 1993.

__________. Selected Poems 1966-1984. Toronto: Oxford UP, 1990.

__________. Surfacing. Toronto: McClelland and Stewart, 1972.

__________. Survival: a Thematic Guide to Canadian Literature. Toronto: Anansi, 1972.

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Bann, Stephen, ed. Concrete Poetry: an International Anthology. London: London Magazine, 1967.

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Begley, Lorraine, ed. Crossing That Bridge: a Critical Look at the Prince Edward Island Fixed Link. Charlottetown: Ragweed, 1993.

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Bentley, D.M.R. “Afterword.” The Backwoods of Canada. 1836 By Catharine Parr Traill. New Canadian Library. Toronto: McClelland and Stewart, 1989. 291-301.

__________. “Alchemical Transmutation in Duncan Campbell Scott’s ‘At Gull Lake: August, 1810,’ and Some Contingent Speculations.” Studies in Canadian Literature 10 (1985): 1-23.

__________. “As for Me and Significant Form.” Canadian Notes and Queries 48 (1994): 18-20.

__________. “Bibliocritical Afterward.” Early Long Poems on Canada. Ed. D.M.R. Bentley. London: Canadian Poetry, 1993. 617-62.

__________. “Breaking the ‘Cake of Custom’: the Atlantic Crossing as a Rubicon for Female Emigrants to Canada?” Re(Dis)covering Our Foremothers: Nineteenth-Century Canadian Women Writers. Ed. Lorraine McMullen. Reappraisals: Canadian Writers 15. Ottawa: U of Ottawa P, 1990. 91-122.

__________ ed. “‘The Canadian Boat-Song’: a Mosaic.” Canadian Poetry: Studies, Documents, Reviews 6 (Spring/Summer 1980): 69-79.

__________. “Carman and Mind Care: Theory and Technique.” Bliss Carman: a Reappraisal. Ed. Gerald Lynch. Reappraisals: Canadian Winters 16. Ottawa: U of Ottawa P, 1990. 85-110.

__________. “Charles G.D. Roberts and William Wilfred Campbell as Canadian Tour Guides.” Writing and Culture in Nineteenth-Century Canada. Ed. Michael Peterman. Spec. issue of Journal of Canadian Studies 32.2 (1997): 79-99.

__________. “Colonial Colonizing: an Introductory Survey of the Canadian Long Poem.” Bolder Flights: Essays on the Canadian Long Poem. Ed. Frank M. Tierney and Angela Robberson. Reappraisals: Canadian Writers 21. Ottawa: U of Ottawa P, 1998. 7-29.

__________. The Confederation Group of Canadian Poets, 1880-1897. Toronto: U of Toronto P, 2004.

__________. The Gay] Grey Moose: Essays on the Ecologies and Mythologies of Canadian Poetry, 1690-1990. Ottawa: U of Ottawa P, 1992.

__________. “Introduction.” The Emigrant. By Alexander McLachlan. London: Canadian Poetry, 1991. xi-lxii.

__________. “Introduction.” Talbot Road: a Poem. By Adam Hood Burwell. Ed. Michael Williams. London: Canadian Poetry, 1991. xi-xlviii.

__________. “Klein, Montreal and Mankind.” Journal of Canadian Studies. Spec. issue. A.M. Klein’s Montreal 19.2 (Summer 1984): 34-57.

__________. Mimic Fires: Accounts of Early Long Poems on Canada. Kingston and Montreal: McGill-Queen’s UP, 1994.

__________. Mnemographia Canadensis: Essays on Memory, Community, and Environment in Canada, with Particular Reference to London, Ontario. 2 vols. London: Canadian Poetry, 1999.

__________. “Near the Rapids: Thomas Moore in Canada.” Romantic Poetry. Ed. Angela Esterhammer. A Comparative History of Literatures in European Languages 17. Amsterdam/Philadelphia: John Benjamins, 2002. 355-71.

__________. “The nth Adam: Modernism and the Transcendence of Canada.” The Gay] Grey Moose: Essays on the Ecologies and Mythologies of Canadian Poetry, 1690-1990. Ottawa: U of Ottawa P, 1992. 251-72.

__________. “Oliver Goldsmith and The Rising Village,” Studies in Canadian Literature 5. 1 (1990): 21-61.

__________. “Psychoanalytical Notes upon an Autobiographical Account of a Case of Paranoia (Dementia Paranoides): Mrs. Bentley in Sinclair Ross’s As for Me and My House.” University of Toronto Quarterly 73.3 (Summer 2004): 862-85.

__________. “‘The Thing Is to Be Symbolic’: Symboliste Elements in the Early Short Stories of Gilbert Parker, Charles G.D. Roberts, and Duncan Campbell Scott.” Dominant Impressions: Essays on the Canadian Short Story. Ed. Gerald Lynch and Angela Arnold Robbeson. Reappraisals: Canadian Writers 22. Ottawa: U of Ottawa P, 1999. 27-51.

__________. “Unremembered and Learning Much: the Poems of LAC Alfred W. Purdy.“ Al Purdy: the Ivory Thought symposium, University of Ottawa, May 2006.

__________. “William Morris and the Poets of the Confederation.” Scarlet Hunters: Pre-Raphaelitism in Canada. Ed. David Latham. Toronto: Archives of Canadian Art and Design, 1998. 31-44.

Berger, Carl. The Sense of Power: Studies in the Ideas of Canadian Imperialism, 1867-1913. Toronto: U of Toronto P, 1970.

Berger, John. G: a Novel. London: Weidenfeld and Nicolson, 1972.

__________. The Moment of Cubism and Other Essays. New York: Pantheon Books, 1969.

Berman, Marshall. All That Is Solid Melts Into Air: the Experience of Modernity. New York: Simon and Schuster, 1982.

Berne, Eric. Games People Play: the Psychology of Human Relations. New York: Grove, 1964.

Bett, Stephen. Lucy Kent and Other Poems. Edmonton: Longspoon, 1983.

Bhabha, Homi K. Nation and Narration. London and New York: Routledge, 1990.

Bieman, Elizabeth. “Reconstructing The Victorian House: Philip Child’s Hermenentic.” Canadian Poetry: Studies, Documents, Reviews 9 (Fall/Winter 1981): 16-33.

Billington, David P. The Tower and the Bridge: the New Art of Structural Engineering. Princeton: Princeton UP, 1983.

Bird, Isabella L. The Englishwoman in America. London: John Murray, 1856.

Birney, Earle. Collected Poems. 2 vols. Toronto: McClelland and Stewart, 1975.

__________.“Commentary.” “Photostory.” By E.M. Allen et al. Royal Architectural Institute of Canada Journal 35.4 (1958): 120-48.

__________. The Creative Writer. Toronto: Canadian Broadcasting Corporation, 1966.

__________. Ghost in the Wheels: Selected Poems. Toronto: McClelland and Stewart, 1977.

__________. “Interview.” Caroline Bayard and Jack David, eds. Out-Posts. Three Solitudes: Contemporary Literary Criticism in Canada 4. Erin, ON: Porcépic, 1975.

__________. pnomes, jukollages & other stunzas. Ed. bpNichol. grOnk. 4th. ser. 3. Toronto: Ganglia, 1969.

__________. “Poets and Painters: Rivals or Partners.” Canadian Art 14 (1957): 149-50.

__________. Rag and Bone Shop. Toronto: McClelland and Stewart, 1971.

Bishop-Stall, Shaughnessy. Down to This: Squalor and Splendour in a Big-Shantytown. Toronto: Random House Canada, 2004.

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Bland, John. “The Architecture after the Middle of the 18th Century.” Three Centuries of Architecture in Canada / Trois siècles d’Architecture au Canada. Montreal: Federal Publications Service / Georges Le Pape, 1971. 52-123.

Blodgett, E.D. Arche/elegies. Edmonton: Longspoon, 1983.

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Booth, Luella. Love Poems. Fredericton: Fiddlehead, 1970.

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__________. Description topographique de la province du Bas-Canada avec des Remarques sur le Haut Canada, et sur les relations des deux provinces avec les États Unis de l’Amérique. London: W. Faden, 1815.

Bowering, George. Al Purdy. Toronto: Copp Clark, 1970.

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__________. At the Full and Change of the Moon: a Novel. Toronto: Vintage Canada, 1999.

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__________. No Burden to Carry: Narratives of Black Working Women in Ontario 1920s-1950s. Toronto: Women’s, 1991.

__________. No Language Is Neutral. 1990. Toronto: McClelland and Stewart, 1998.

__________. Primitive Offensive. Toronto: Williams-Wallace Int’l, 1982.

__________. Sans Souci and Other Stories. Stratford, ON: Williams-Wallace, 1988.

__________. Thirsty. Toronto: McClelland and Stewart, 2002.

__________. “‘We weren’t allowed to go into factory work until Hitler started the war’: the 1920s to the 1940s.” ‘We’re Rooted Here and They Can’t Pull Us Up’: Essays in African Canadian Women’s History. Coordinator Peggy Bristow. Toronto: U of Toronto P, 1994. 171-91.

__________. What We All Long For. Toronto: Alfred A. Knopf Canada, 2005.

__________. Winter Epigrams & Epigrams to Ernesto Cardenal in Defense of Claudia. Toronto: Williams-Wallace, 1983.

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__________. Emails to the author. Sept 2 and 3, 2005.

__________. “Looking forward, looking back.” Re: Generations: Canadian Women Poets in Conversation. Ed. Di Brandt and Barbara Godard. Windsor, ON: Black Moss, 2005. 9-11.

__________. Now You Care. Toronto: Coach House Books, 2003.

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